I’m a Canadian artist and intuitive, and for most of my life, I thought those were two separate paths.
I spent over twenty years devoted to painting—studying, teaching, and building a career in the visual arts. My work has long explored perception: how we see, what we miss, and what exists just beyond ordinary awareness. At the time, I understood this as an artistic pursuit. In hindsight, it was something else quietly developing alongside it.
In my early twenties, I began learning meditation and tea leaf reading, initially out of curiosity. Those practices remained with me—subtle and mostly private—while my life moved through academia and the art world. Over time, though, my sensitivity to energy and pattern became harder to set aside. What once felt like an interest began to feel inherent—something I couldn’t ignore.
There’s a lineage to this. My great-grandmother, who came to Canada from Scotland, worked as a psychic and lecturer with the Theosophical Society. Her work was never presented as something to follow, but as I’ve grown into my own practice, that connection feels less coincidental and more like a thread that has always been there.
Leaving academia wasn’t a sudden shift, but a gradual recognition that this intuitive work wasn’t separate from my life as an artist—it was an extension of the same way of seeing.
My practice now includes clairvoyance, mediumship, and remote viewing, approached in a grounded, thoughtful way—listening carefully, noticing what’s often overlooked, and translating that into clear, meaningful insight.
I approach each session with clarity, care, and discernment. My intention is not to overwhelm or mystify, but to translate subtle perception into information that is useful, precise, and meaningful.
This work is not about spectacle—it is about attention. It is about noticing what is often overlooked, sensing what is not immediately visible, and offering that information in a way that supports understanding and informed decision-making.
Each session is collaborative in nature. Your questions, intentions, and openness shape the direction of the experience. My role is to perceive, interpret, and communicate what emerges with honesty and respect.
My spiritual education began at home, rooted in a family lineage of intuitive practice. I first trained under my grandmother, a second-generation psychic who had been taught by her own mother, a medium and lecturer with the Theosophical Society. As a young child, my grandmother introduced me to the art of tea leaf reading, sparking a lifelong interest in intuition, symbolism, and the unseen dimensions of experience.
As a teenager, I began independently exploring spirituality, psychology, and mythology through the writings of Carl Jung and Joseph Campbell. By 2002, yoga and meditation had become regular parts of my daily practice, establishing a foundation that continues to inform my work today.
In 2016, my studies deepened through extensive reading in psychic development, intuition, consciousness, and metaphysical traditions. During this period, I also joined Debra Katz's International School of Clairvoyance, participating in weekly practice groups and structured development exercises that helped expand and refine my abilities.
Seeking further training, I completed Linda Rauch's intensive psychic development program and went on to study advanced mediumship with Lorraine Appleyard. These experiences provided both practical techniques and a disciplined framework for working with intuitive information.
From 2025 to 2026, I undertook advanced professional training with Debra Lynne Katz through the International School of Clairvoyance. During this time, I earned a Masterclass Certificate and completed studies in Clairvoyance Levels 1–3, Remote Viewing Levels 1 and 3, and advanced Mediumship.
Today, my work draws on both generations of family tradition and years of dedicated study, combining intuitive sensitivity with a structured approach to psychic and mediumistic practice.